Between the Thames River walk and the studio research phase of the Wasteland Project I managed to attend my first Edinburgh Fringe Festival. The sheer volume of events, artists, must see shows, empty venues, theater goers and tourists was overwhelming. Summerhall served as my base for chilling out and plotting my experience. While it was tempting to just stick close to my colleagues I made an effort to venture out into the night on solo adventures. Despite the exciting environment, I’m in no hurry bring a show to the Fringe. It is kind of brutal.
The slide show has photos from performances I saw: Clout Theatre’s How A Man Crumbled; Kristina Wong’s Going Green the Wong Way; Shu-wing Theatre Studio’s Detention; Teatr Pieśn Kozła’s Songs of Lear; Suzuki Company of Toga’s Waiting for Orestes: Electra; Teatr Zar’s Caesarean Section: Essays On Suicide; and Akhe’s Mr. Carmen.